Tuesday, March 31, 2009

Look Out



I've been feeling reaallly lazy, but it's time for me to post something. This is a song that Chandler played for me last year, and I had forgotten about it for a while. Until now. The band is Grand Ole Party. Something about it hits the spot, somewhere in between Yeah Yeah Yeahs and The Black Keys. I hope you enjoy.


Grand Ole Party - Look Out Young Son
Buy Album: iTunes

-Chris

Monday, March 30, 2009

Whirly Ball

Ben Gibbard is an interesting character. First, I believe there is a conspiracy that Gibbard and Colin Meloy of The Decemberists are one in the same, because come on, they look and sound the same. Second, Gibbard writes some of the most depressing lyrics out there today and yet he is always showcasing his wonderful sense of humor. Exhibit A. We now have more evidence of this sense of humor, but all of Death Cab is in on this one, and I must say, they all give stellar performances (especially Gibbard and Walla). This video is all about Whirly Ball and how it brings the band together, and it is hilarious. And thank you Hoge for showing us this.



-Bishop-

Sunday, March 29, 2009

Cruisin' Song of the Week #15

This week's cruisin' song marks the first recorded time an artist is repeated. However, it is my opinion that this repetition should be welcomed due to the cruisiness of the two songs in question. The song comes off Modest Mouse's debut album, This Is a Long Drive for Someone with Nothing to Think About, as the leading track. Even though Modest Mouse has gone on to have quite an illustrious career since then, and by no means do I think this is their best album, I would have to say I think this is their best song. There's something about the raw emotionality of it.

Modest Mouse - Dramamine
Buy Song:ITunes

-Donovan

Friday, March 27, 2009

Song o' the Week #16



The word on the streets is Micachu & The Shapes are gonna be huge. After giving them a listen, I think I might have to agree. They're incredibly young, and yet have created a somewhat unorthodox, yet undeniably fresh sound. Their debut LP Jewellery, a collection of short and twisted pop gems, drops in the U.S April 7th, so get ready for that. Each song needs a couple of listens, so try and let this one sink in.

Micachu MySpace

Micachu & The Shapes- Golden Phone

-Chandler

Album Review: Sgt. Dunbar


Sgt. Dunbar and the Hobo Banned is a band with musical talent bursting out of every moment of their music. The octuplet from Albany (is someone from Albany an "Albanian"?) released their latest EP, Charles Mingus' Garbage Pile, recently and it will be available to be shipped on March 30th, which is this upcoming Monday (according to their the band's MySpace). The tracks had been out on Sgt. Dunbar's MySpace for a while, but the EP is an all new recording, which serves to solidify the atmosphere of the EP. Sgt. Dunbar does great work, and this album is no different. The atmosphere is definitive and the songwriting is stylish and clever. The band utilizes its members, and it doesn't feel like they'd be able to do it with any less than eight, because of the array of different sounds that the listener hears every song. The song's have an improvisational feel, and while they don't technically appear to be largely impovised, they have a "sloppy" feel which makes them infintely more enjoyable to listen to. It can be difficult to listen to bands that take themselves too seriously, but Sgt. Dunbar is all about having fun while playing and that element really comes through. I've always envisioned the band dancing around having a ball listening to their recordings, and while I have no proof, I'll bet there's some dancing that takes place. The EP is short, clocking in at just over 16 minutes, but demands repeated listens. It's still getting heavy play time for me right now. We did an interview with Sgt. Dunbar, and gained some amazing insight to how they function as a band, and also discovered that they are hilarious. You can check out that interview here. Also check out their MySpace for buy links for the new album, and be sure to support them whenever possible. Seriously, if they are coming near you drop everything and go see them live. Thanks to Sgt. Dunbar for letting us know about the upcoming album.

Sgt. Dunbar and the Hobo Banned's MySpace

-Donovan

Thursday, March 26, 2009

Daytrotter Discovers Drink Up Buttercup

Photo Credit: Obsession Collection Music

It's pretty obvious that the boys over at Daytrotter are fans of fork/knife because they have just called in one of f/k's Bands to Watch, Drink Up Buttercup, to record a session. Looks like the boys from Philly are slowly growing [due to our coverage of them, obviously]. Ch-ch-check it out.

-Bishop-

Japanese Foot Acrobats

Because why do homework when you can watch videos like this instead? While you watch, take a listen to these mash-ups from Adrian Champion. His album, Stars & Stripes features hip hop layed on top of songs from The White Stripes, and can be downloaded for free here.

Adrian Champion - Turn It Up (The White Stripes + Kanye West)
Adrian Champion - Ms. Doorbell (The White Stripes + Mos Def)


-Chris

Where the Wild Things Are

I was just informed of a marvelous movie coming out in October that I am now thoroughly looking forward to. The movie is based on one of my favorite childhood books, Where the Wild Things Are.

Famed author David Eggers and movie genius Spike Jonze are doing most of the work on this movie from the direction to the production to the screenplay. And on top of that Arcade Fire's "Wake Up" is used in the trailer!!! Take a look!



-Bishop-

Wednesday, March 25, 2009

Debut: Department of Eagles Video

The video for the song "No One Does It Like You" was released yesterday at MoMA by Department of Eagles. It's pretty great, I don't think I've seen such an artsy music video in years.



-Chris

New DCFC Streaming Free!



A few days ago we mentioned that Death Cab for Cutie is about to release a new EP called The Open Door EP. The music-blog-powerhouse known as Stereogum is streaming one song from the EP each day as an exclusive online release. So far they have posted two songs, and you can find them at the links below. What do you think?

Death Cab for Cutie - Little Bribes

Death Cab for Cutie - A Diamond And A Tether


-Chris

Tuesday, March 24, 2009

Music Movies Monday #10

So once again, the MMM post is a day late. I attribute this one being late to the fact that I had to write a paper yesterday, so hopefully this kind of tardiness won't happen again. In any event, here are some Flying Circus videos.

One of the funniest things I've seen without the use of words, The Silly Walk:


The Argument Clinic:


The Man Who Talks in Anagrams:


Not Monty Python, but Merv Griffin. Audio rip below.


Merv Griffin- I've Got a Lovely Bunch of Coconuts (Live)
Buy Song: iTunes

-Chandler

Jazz!? Jazz? Jazz!

Although this is primarily an indie music blog, the four of us here also dabble in other genres of music. And seeing as I've been playing jazz since the 7th grade, I have always had a soft spot for top notch jazz including the likes of Duke Ellington, Miles Davis, Gordon Goodwin and Bob Mintzer.

Our high school jazz band has a great reputation and has won many awards throughout it's history, including two trips to the elite Essentially Ellington competition. I thought that I'd share a few of my favorite songs that we played over my high school career. I know people may not like to listen to jazz, but trust me, these songs are well worth it. Be sure to make it all the way through the songs because just like any other type of music you can't get the full picture unless you listen to the whole thing. Hope you enjoy!


-Bishop-

Remix 11: The Flaming Lips


The next remix in my weekly segment is from Ego Tripping at the Gates of Hell, an EP from The Flaming Lips that I think has been completely overlooked. Back when fork/knife was but a tiny fetus, I posted The Postal Service remix of "Do You Realize??" which is from the same EP. Overall its a tiny release packed to the gills with wonderful songs, and I highly recommend it.

Anyways, back to this week's song. It's called "Ego Tripping (Ego In Acceleration)" and it's a remix by Jason Bentley. The keyboards and drums fit together perfectly to make a serene, cloud-like experience, and Wayne Coyne's vocals glide over the top, covered in shimmering reverb. Put on some headphones and turn up the volume, I hope you enjoy.
Buy Album: Amazon

-Chris

Monday, March 23, 2009

Sigur Ros Does Take Away Show

So as some of you may have noticed, I haven't posted in over a week. This is because I was on my spring break in Brussels with my lovely sister Allie and my bearded brother-in-law Charlie. But have no fear as I am back.

As I was browsing the music blogosphere today to catch myself up on the week's happenings, I saw that Sigur Ros recorded a Take Away Show in a quiet little restaurant in Paris. They played "Vi› spilum endalaust" from their latest and (almost) greatest album (of 2008), Með suð í eyrum við spilum endalaust, and I must say that the two fools at the beginning of the video were, well, foolish for leaving.

Enjoy the video here.

-Bishop-

Why I'm Really Starting to Hate Pitchfork

The title of this post should illustrate what I'm writing about. It's not necessarily in my nature to hate on other blogs or sites, (except this one) but sometimes I start to get to annoyed with the musical influence that Pitchfork holds in the music community. Anyone reading this undoubtedly knows who and what Pitchfork is and what they do, so there's no need to really go into detail. Let me get one thing straight, I love the blogosphere. The blogosphere is made up of everyday, normal individuals, most of whom have jobs or go to school, and have not an ounce of pretentiousness about them. They are simply trying to further peoples' knowledge of the music community, and I think that's great. Enter the biggest, baddest music website of them all, and things start to change. First off, the materiality of a numerical review is saddening, and objectifies music in a way that is impossible and completely incorrect. Musical taste and preference cannot be objectified, much like art itself cannot. Obviously music is art, so I'm not exactly sure how they can manage that. Imagine a website that gave paintings a rank from 1 to 10, and seriously impacted the lives of the artists who painted them. The fact is, however, that there are many websites who rank music, and I'm not writing about them. So what separates Pitchfork from them? I'd say two main things single Pitchfork out from the pack and subject them to an amount of criticism. First, the scope of their influence is large, much larger than any other musical website. Second, their ratings involve a level of pigheadedness and pretentiousness absent in other music websites. They consider their ratings to be "fact," in a way that's difficult to explain without reading them. There's a level of separation from the number, the idea that it's not the opinion of the reviewer, but it's a fact as much as it's the year 2009. They are notorious for pandering to a certain audience, they tell people what they want to hear in a way that's hard to explain. I don't think it was their intention, I think they simple grew out of "blog natural selection" to be the one website that seemed to best represent the views of the indie community. I believe, however, as their scope has grown, their feel on the pulse of the indie community has weakened far past the point it once was. The fact is, I find very little correlation with the albums I enjoy and the rating Pitchfork gives it, as it is for every single person I talk about music with. My point is that I don't think it's just me who finds the ranking system perplexing. Also, a lot of music tends to intrinsically possess the quality of not being easily understood. Even artists can have certain albums that possess the "fungal creep," and other albums that don't. To give a quick example, I'm a pretty large Tori Amos fan (although in the world of Tori Amos fans, I'm actually considered quite small). Her second album, Under the Pink, was filled with pop hooks while still being essential Tori Amos material. As such, it's a really fantastic, fluid album. Her next album, Boys for Pele, was filled intensely played harpsichord and insanely crazy and difficult to comprehend lyrics. On first run though of that album I was perplexed and left stunned. I wasn't sure what I thought of it. Being forced to review it at the point and put it on a scale of 1 to 10 would've been completely unfair. And believe it or not, I wasn't particularly fond of Fleet Foxes on my first listen to them. Obviously I love them now, but my point is that first impressions are hardly worth ranking an album on. It just disappoints me to know that a Pitchfork rating is still very important to an artist, not because the artist gives a shit what a group of hipsters thinks about them, but because it will undoubtedly affect sales positively or negatively depending on the review. I guess at the end of the day, I'm asking people to keep their objectivity about music, and to not look at a record review and let it affect your opinion; go out and listen to something off the album. Believe me, our own blog is far from perfect, and our opinions are just those, opinions. There will certainly be music we don't like, such is the curse of this craft: no one person could ever hold the opinions of everybody. Our goal is just to introduce you to something you may never have heard before, and do our best to try and get people supporting artists we feel deserve it. That's all any music website should ever be about, and when one oversteps its fundamental bounds, I feel drawn to speak out against it. Sorry for being terribly boring, but I had to get it out.

-Donovan