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These past few weeks I've been obsessed with Blitzen Trapper's underrated 2008 release Furr. Now I know that this got pretty significant attention, but I still feel that it deserved as much attention as Fleet Foxes or Bon Iver.
I'm of the opinion that the 1980s were, musically speaking, forgettable. Unfortunately, the first images I have of the era involve the hair-metal glam of groups like Whitesnake, Quiet Riot, and Twisted Sister. Bleh. Frequently, though, music from groups like Talking Heads and The Beastie Boys reminds me that there was indeed good music quietly circulating through the decade. Like today, when a friend played a cool version of "Who Can It Be Now?" by Men At Work. It's an acoustic version by frontman Colin Hay, who has gone on to have a moderately successful solo career. I think I might even like this stripped down version a little more than original, which featured a jazzy saxophone playing the main melody that you'll most likely recognize. The mp3 is downloadable below, and to boot, another another acoustic version of a classic Men At Work tune. Enjoy!
Anyway, you can hear a few songs from this anticipated release at their Daytrotter session, pre-order the release from Secretly Canadian, and hear a song from their EP below.
Weezer has seen better days. Led by frontman Rivers Cuomo, they've taken a turn towards painfully simple melodramatic pop ever since the fateful Make Believe album of 2005. Over the past couple days, I've been reading about their upcoming album, entitled Ratitude. The album (which was named by Rainn Wilson of The Office) will be released October 27 and will include two songs called "I"m Your Daddy" and "The Girl Got Hot," which have both gotten lukewarm reviews. With song titles like that, I'm not holding out much hope but I'll definitely give the album a listen.
Wow, has it been an exhausting couple of weeks. Between working non-stop at my just-above-minimum-wage job, playing a couple of fun (yet stressful) shows with my band, and helping out with some general housework, my brain is fried. Lucky for me, I'm waking up in four hours and taking a nine hour drive to Maine, where I'll vacation for a week with my family on the coast. Since I'll be gone for the week, I thought I'd leave you all with a mix! Perhaps it might be more accurate to call this a miniature mix, but it's a mix nonetheless. These four songs are rather reflective of my current state, somewhere between a stress induced meltdown and the unabashed enthusiasm that comes along just before such a life-saving vacation. Crank up the volume and freakkk outttt.

Happy 33rd birthday to a f/k fave, Ben Gibbard!! Ben has been an integral part of both Death Cab for Cutie and The Postal Service, both of which have serious indie cred and are all around fun to listen to. In fact, Ben is responsible for three of my all time favorite albums (We Have the Facts and We're Voting Yes, Transatlanticism, and Give Up if you care) and has arguably the most popular pure indie act of all time on his hands. Recently Gibbard has gotten as much publicity for his engagement to Zooey Deschanel as he has for his music, and while that's to be expected, there's an unfortunate amount of people who probably know him as the guy with Zooey Deschanel (by the way, Zooey was excellent on Craig Ferguson a few night ago!). Ben has recently been promoting the very nice The Open Door EP, but we don't know when anything new might be coming out. I'll leave you with one of his early gems off The Photo Album.
On our way home from New Hampshire this weekend my sister, Allie, brother-in-law, Charlie and myself decided that the music for the ride would work on a shuffle/veto system. Simply, the iPod was on shuffle and each person was given two vetoes.
(Amy sets the atmosphere with backing vocals and keyboards)
In the spirit of summer, I'd like to share with you a great remix by Panda Bear. Noah Lennox (the man behind Panda Bear) has become one of my favorite musicians over the past year or so, due in large part to his amazing album, Person Pitch. It's an album that I've poured over for months, to the point where I feel like I need to explore the rest of his work. Looking around, I found this remix of a song by The Notwist. It was released a while ago, but listening to it today reminded me of its greatness. The remix is a huge departure from the original, and I love the way everything sort of floats around the drums. If you haven't checked out Panda Bear yet, I hope you will. Enjoy!
I am saddened yet again by the fact that I have to sit on the bench for a few days. For the first time in almost two years all three of my sisters, my parents and I will be in the same place, so we decided to rent a house on Lake Winnipesaukee for the rest of the week. This means that I will be unable to post, or often, at least. I will miss all of you dearly.



It's been a long time since a song o' the week for two reasons. One is that there actually hasn't been a song that's captivated me for most of a week lately, but also because work takes up a lot more time and energy than school does. So when classes start again you can count on rather steady song o' the weeks. If that's what you guys look for.
As you may or may not have known, 3/4 of the fork/knifers have been gone on vacation since Friday. We've been camping in Vermont, enjoying some time away from technology and our pesky summer jobs. Anyways, we're back, and glad to see that Donovan kept things running smoothly. Time for more music! Here's a great song that I've been listening to a lot lately, an oldie from Kings of Leon before their days as arena-rock stars. Enjoy!

-Chandler

Because I had to stay at the C stage the whole day to get good pics for Beirut, I missed a lot of bands I wanted to see. I also got there a little late, and missed what I heard to be the best act so far. Apparently Plants and Animals was amazing, and all I heard throughout the day was how good their set was. Oh well. I managed to catch some solid acts, Beirut probably being my favorite of the day. They were also joined by Final Fantasy towards the end, whose set I kind of heard from across the park (did he open with a "My Body Is A Cage" cover?) Yeasayer surprised me again and turned in an energy-filled set that I was more than pleased with. And the National was, you know, the National: they were solid. Click da pic for a bigga view.

The best act day 1 was Yo La Tengo followed closely by Built to Spill. Jesus Lizard was a little too hard for me, and Tortoise was a little too suck for me (sorry Tortoise fans). But YLT played a whole bunch of classics, including the relatively new epic "Pass the Hatchet, I Think I'm Goodkind." I really liked the whole "write the playlist" feature, and it worked well with BTS also. Overall, it was a solid day, but it would eventually be outdone by day 2. Anyway, here's a couple pics from a decent digital camera. As always, click any of them to see a bigger version and to be brought to the f/k flickr account, where there are more from this show and others for your viewing pleasure.

This song is gorgeous. Originally by Mark Mulcahy, cover by Thom Yorke of Radiohead. As an interesting note for Yorke fans, his brother Andy sings vocals with him on this track. It's part of a tribute album dedicated to Mulcahy, with covers by various artists. More info over at stereogum.
Let it be known that all members of the f/k crew are audiophiles. Donovan has his signed copy of The Hazards of Love; Chan has, well, Miles; and Chris has the utterly brilliant Veckatimest.